The emotionally unresolved goodbye takes a soft focus on “Unbearably White” with Koenig reasoning, “ Baby, I love you / But that’s not enough,” and a more explicit form on “Bambina,” a percussive number that finds the singer stepping out of his usual register, tapping into the more flamboyant, free-wheeling stylings of such cuts as “White Skies” from 2010’s “Contra,” along with Auto-Tune flourishes that were met with bewilderment then, but now scarcely bat an eye. Simultaneously, however, they express a momentary indulgence in amorous idealism, which functions in context to convey an overall ambivalence and uncertainty about the situation at large. The chorus bursts into a snippet of “God Yu Tekem Laef Blong Mi,” a Melanesian choral song with lines that translate to the likes of “God, take my life and let it be consecrated, Lord, to Thee.” One one hand, the flowery words and fittingly exalted choral stylings seem to mock marriage with a bona fide skeptic’s enlightenment. Opener “Hold You Now,” the first of Koenig’s duets with Danielle Haim, contains the rather shameless assertion “ Promises of future glory don’t make a case for me.” As the song develops, the dialogue reveals itself to be between a bride on her wedding day and a previous flame. The predominant theme of the album deals with the time in one’s life when relationships have run a fair course, and the institution of marriage is an implicit, disquieting, seemingly premature expectation that one has to grapple with. Above all, it’s a lyrically insightful work that zeroes in on a very specific contemporary mentality with precision. The album also finds singer Ezra Koenig exploring fresh sounds by collaborating with the Internet’s Steve Lacy, and dueting with Danielle Haim for several songs that delve boldly into country stylings, an entirely new direction for the band. Founding member Rostam Batmanglij is no longer a member, but still a contributor on several tracks. A thoroughly cohesive record, it captures a band at a different time. Making due on their time, they’ve offered a new album “ Father of the Bride ” that nearly doubles the running time of their previous efforts, and you can rest assured that it isn’t a tawdry, arbitrary patching together of songs. Over a decade later, the group has an impressive collection of work behind them, and is returning after an uncharacteristically long six-year hiatus. Worlds collided, hipsters jeered, and critics shrugged, but the band’s music spoke for itself, and before you knew it, they had become almost a standard of normalcy, one appealing to a particular set of demographics whose paths crossed but hadn’t normally exactly met. When Vampire Weekend first rose to prominence with their 2008 self-titled debut, they were very much a divisive act - unabashedly preppy, and flaunting their admiration for the likes of Paul Simon, yet falling quite neatly into an indie mold. By the way, it should be noted that Ezra actually has a home in L.A.Vampire Weekend’s ‘Father of the Bride’ Is an Earnest Exploration of Relationships, Politics, and Religion Pessimism he has in relation to this person, as in believing she will never changeįinally in the third verse, we find Ezra seemingly throwing shade at his own success, insinuating that it is only temporary, as “the hills will fall eventually”. However, that last quote also reads a lot like, as aforementioned, a reference to Los Angeles sinking into the ocean, as earlier he mentions famous streets which are in the city. Then the second verse seems to allude to some sort of Romantically. But then he states that he is “the ghost of Christmas past”,Īs in he is coming back to haunt her. Then he gives some cryptic detailsĪbout their relationship, insinuating that that this woman basically took (his) heart”, meaning he was most likely engaged with this individual In the first verse, Ezra states that this person “broke Their relationship endure before it finally comes to an untimely end. Involved in. And what he is basically asking is how long will Long?” is centered on a personal relationship that the singer (Ezra) is “immunity”. However, it would appear that for the most part “How Presidency of Donald Trump, as it uses terms such as “democracy” in relation to It has also been theorized that this track is based on the
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